“I Am Seaweed" resonates with anyone who has ever felt overwhelmed or persistently pressured to keep striving for more, for better. It's an entertaining and good-humoured show that asks us to look inside ourselves and question why we do everything we do and if it's actually making us happy.”

“Ho has a huge commanding presence on stage and even within this large space, she fills it with her energy, confidence and skill. Her ability to switch from anger and frustration to joy and happiness to sadness and anxiety as she grapples with holding on to, and relinquishing control, is fascinating to watch as a character study of Sheryl but also as an example of an actor who has a deep comprehension of the material.”

“It’s a thrill but with a lot to say about mental health and personal reflection and why people with the biggest grins might hide the biggest sadness.”

“It’s a one-woman show filled with clever monologues, sarcastic observations and that recurring imagery of seaweed”

“I Am Seaweed is a smart show and Cheryl/Sheryl gets the audience on side from minute one and doesn’t let go for an hour.”

‘A joyous work featuring a stunning, off-the-charts-charming performance from Cheryl Ho. Bold, energised, achingly-human and super sharp. The writing is hilarious, insightful and moving and the quality and use of AV and sound are also excellent. Loved it!’

‘Cheryl Ho is a bloody good performer. The kind of performer who makes you realise the level of precision, concentrated energy, projection of space, virtuosic manipulation of voice, body and dynamic, immaculate timing, and immensely hard work that are possible to see on stage. I'd watch this performer do almost anything, but this is a great thing to watch her do. ’

“For all my overthinking honeys, this is for you (but it’s also for anyone who’s trying to honour their practice in the face of neocaptialist burnout and/or is just trying their best). strongly and deeply recommended”

“It’s giving *life changing*, it’s giving *burnout but joyous*, it’s giving *you need to see this*”

“It’s like she went into my brain and said all my thoughts out loud. I cackled and felt all the feels”

“Sheryl had artfully shown us the toxicity of life in the fast lane, the pressure a performing artist faced in an industry that failed to provide a stable career. Her anxiety was crafted brilliantly; I felt the trauma she was put through as she skated from one job to another skipping dinner and lunches to fulfill her duties. The toxicity of working conditions was revealed when the employer changed her schedule without negotiation. This top-down approach is common in Singapore and was cleverly acted out.”